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      <image:caption>Act 2: Jake Roxander and Catherine Hurlin from the American Ballet Theater dance “Becomings” from Virginia Woolf’s “Orlando”</image:caption>
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      <image:title>Latest Reviews - Les Ballets de Monte-Carlo: Jean Christophe Maillot’s Contemporary Masterpiece - Make it stand out</image:title>
      <image:caption>Iulian Garcia- Coppelia: Alice Blangero, Les Ballets de Monte- Carlo</image:caption>
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      <image:caption>Photo from "Coppel.i.A.," choreographed by Jean-Christophe Maillot who has been with Les Ballets de Monte-Carlo as artistic director since 1993. It tells the story of two young lovers, Frantz and Swanhilda, who have their lives upended by an artificial being – shaking their foundations and challenging what they thought they knew of love. Photo courtesy of Segerstrom Center for the Arts/Les Ballets de Monte Carlo</image:caption>
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      <image:title>Ballet Insights - Ballet Body Image Crisis: The Impact of Competition Aesthetics on Young Dancers - Make it stand out</image:title>
      <image:caption>Vaganova Ballet Academy Height/Weight Chart- written on the chart proclaims a girl of height 165 should be 43.8 kg, which is a BMI of 16.1, where the lowest healthy BMI is 18.5 (this also does not account for muscle mass)</image:caption>
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      <image:title>Ballet Insights - From Huntress to Heroine: Gender Role Subversion in the Ballet, Sylvia - Make it stand out</image:title>
      <image:caption>Marianela Nunez and Vadim Muntagirov in Sylvia. © Dave Morgan, courtesy the Royal Opera House.</image:caption>
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      <image:title>Ballet Insights - From Huntress to Heroine: Gender Role Subversion in the Ballet, Sylvia - Make it stand out</image:title>
      <image:caption>Marianela Nuñez and artists of the Royal Ballet in Frederick Ashton's 'Sylvia'. © ROH/Tristram Kenton</image:caption>
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      <image:caption>Renata Shakirova in Le Corsaire, Courtesy of Mariinsky Russia</image:caption>
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